Super strong opening chapters with a premise similar to TV’s Dollhouse which although interesting, threw up more questions than answers.Starters shines the spotlight on a section of society which is sometimes overlooked or given the least respect but which will in future be the most powerful: the old. One day there will be fewer young people to support the ever-increasing number of elderly citizens, and here we can see how things could change in their favour.Starters are under 19 years of age, those just starting out in life and Enders are the elderly. The generations inbetween have all died after biological warfare prompted the vaccination of the vulnerable –the old and the young, leaving those in the middle to die prolonged and agonizing deaths. From the technology available I would guess we’re about 50 years in the future in a post-war America. The reasons for the war aren’t given. All we know is that Pacific Rim countries were involved and that America used an EMP weapon on them and they retaliated with a biologically engineered disease –game, set, match.The age gap creates a huge gulf between the Starters and Enders. Old legislation addressing the increasing aging population means anyone under 19 cannot work and the large numbers of unclaimed minors whose family have died are unable to legitimately provide for themselves. Orphanages are basically workhouses with inmates treated as prisoners; no one wants to end up there. Squatting and thieving is how most get by, dodging the child-catching Marshals whenever possible. Adoption or fostering seems non-existent. Enders don’t care about Starters unless they’re family. I find this surprising because many Enders would’ve lost children, relatives. Some may be the last members of their families. Hasn’t loneliness spurred any to seek adoption?The story follows Callie, a Starter, who lost her parents to the war. She has no grandparents and is forced to care for her 7-year-old brother by herself with a little help from Michael, a boy who used to live down the street from her pre-war. They’re currently squatting in an abandoned building practically starving. She can’t bear to watch her sick brother lose any more weight so she visits the not so ethical or legal, Prime Destinations, a place which rents out the bodies of teenagers to Enders who pay large sums of money to feel young again. If she does this she’ll have enough cash to pay for a home and medical care for her brother for the next few years. For obvious reasons Callie’s reluctant to do this but she has little choice. Unfortunately things don’t go quite to plan, Callie suddenly wakes up in a nightclub instead of the lab and finds out the renter of her body wishes to murder someone. Scared, she pretends she’s her renter to safeguard her payment and attempts to stop her renter from committing this crime which will no doubt lead to her own execution.Along the way she encounters other renters taking full advantage of their new temporary bodies and think nothing of stealing the lives of the body’s original owners. They take the old adage ‘Youth is wasted on the young’ to heart. These privileged Enders are selfish and greedy. The predatory gleam in the eyes of those at PD were quite creepy, eyeing up the young like they’re cattle for slaughter, salivating at the thought of inhabiting their supple bodies and smooth, wrinkle-free skin. *shudders*These Enders aren’t your average old people. They live to 200 years old and appear to have no health problems due to advances in medicine, odd because not all Enders are rich and the last time I checked medical care wasn’t free in America so how come none of them appear hampered by age. Sure, some have wrinkles (and others get cosmetic surgery) and watery eyes but no problems running or experiencing a full working life.Carrie also finds herself spending time with a handsome and rich teen, Blake. Her Prince Charming. Whenever she’s around him the urgency of her predicament, racing-against-time to stop the murder, fades into the background. A day out horse-riding with him and she forgets her responsibilities and starts comparing herself to Cinderella, wondering if the girl from the fairy tale ever considered telling her prince she’s a fraud. I never understood Blake’s appeal considering the over-familiar way he behaves, acting like they’re closer than the strangers they are. And Callie’s ambiguous relationship with Michael –are they more than friends? Even at the end it isn’t clear. Is a love triangle on the horizon?Reading about how vaccinating the old and young from something so deadly implies this is the wrong course of action generally. Yes, the elderly are an invaluable source of knowledge, wisdom and experience but in a situation where you have limited resources and a serious biological threat, is protecting the weakest to the detriment of the strong really the right decision to make? In this case it left children without parents, manual labour is carried out by those children because the elderly were either too frail or simply felt they were above such work. The plot is interesting if slightly predictable and the characters are quite thin, I didn't feel particularly attached to any of them. I did have some problems understanding the technology either because we’re given names of something but not what it does or because something we all ready have has been rebranded e.g. Z-mail a.k.a. e-mail, Zing a.k.a. text message –took me a bit to figure that one out. The focus of the book is on the very rich and the very poor Starters but we don't get to see those in the middle, nor do we see any poor Enders. The last page was intriguing but I'm not sure if I'll read the sequel for one reason: the possibility of a love triangle. The rest I believe will be developed and improved upon but I can't abide love triangles.***Many thanks to NetGalley and the publisher for providing me with a copy of this book in return for an honest review.***__________________________________________________The tagline: "Your body. Rented out. Used to murder." sold it to me.