Weird, wacky and whimsical worldbuilding, Batman! ORSilly, stupid and senseless.Depends on your outlook, and sense of humour.This book is all about the worldbuilding. Forget about the plot, there isn't much of one and it isn't introduced until quite late into the book. Croak is a town filled with places and characters with names linked to death e.g. Kilda, Mort, Corpp's (pub), Dead Weight (gym) etc, etc. Every single inhabitant, 82 including our MC, is an oddball and a former delinquent just like Lexington is at the beginning. A rebel without a cause. Punching, kicking and biting her way through life much to her own chagrin. She hates being unable to control her violent outbursts. But this makes her an exceptional Killer Grim -someone who separates the soul from the body at the precise moment of death with a single touch while her male 18-year-old partner, Driggs is a Culler who harvests the souls and transports them back to the Bank to be released into the Afterlife via the Atrium where Mr. Tell Tale Fart a.k.a. Edgar Allan Poe, Elvis and many a dead US president like to hangout to greet the newbies and socialise with the Grims.Lex's new summer job seems to have a calming effect, giving her purpose and a sense of fulfillment. The town accepts, welcomes and understands her wild nature so she quickly feels at home despite the lack of internet and cell signal.There's much to laugh at; the absurdity of death detecting jellyfish, the unsettling chemistry between Lex and Driggs and their inability to deal with it, but this balances out the horrors of reaping the horribly disfigured, the young and the murdered. Lex struggles to adhere to the rules by doing her job and only her job. She itches to chase after murderers and deal out some justice although she believes it's also unfair that people like John Wilkes Booth don't go to hell and reap a little of what they sow. And then Lex finds out why Killing is an intensely different experience for her in particular. She can damn people, anyone, whether living or on the brink of death. Condemn their souls to be locked out of the Afterlife. Burnt from the inside out -an exceptionally painful way to go. I think it's a cop-out that this ability was stolen from her before she had a chance to decide what to do with it, if anything. It would've created conflict within herself and with the Croakers as they compare her to the serial killer from the 1800s and the current one. The romance with Driggs gets a tad uncomfortable with a stalker/paedophile vibe at one point which he fully admits. The plot served only to sever the only connection the MC had to her old New York City life: by killing off her twin sister. No attempt was made to mask the identity of the serial killer so there was no mystery there.Humour is subjective. Sometimes I enjoyed it immensely and others it was over the top and irritating. The same goes for the worldbuilding. It gets a little complicated which along with the absurdness of it all, makes everything harder to comprehend. However, the unusual writing was fresh and exciting and encouraged me to read more.Croak is like Dead Like Me on steroids. And LSD. I didn't hate it although I can't say for sure whether I'll read the sequel or not.